Courses

Required Courses for SIM Majors Only

MPSM276/286, MPSM376/386, MPSM476/496 Studio for Interrelated Media Major Studio
THUR 1:30 – 6:30 pm E. Buckholtz, D. Moser, J. Obando, N. Sturiale (hybrid FA20/SP21)
This is a studio class in which individuals and groups present and discuss work in media of their choice such as audio, video, computer, performance, publishing, and production of events that interrelate media. Each week, student presentations of work are organized into performances, discussions, workshops, and exhibitions produced by students who select, schedule and technically support the presentation. This course repeats every semester and is required for all SIM Majors.  It is not available to non SIM Majors.

Due to COVID19 restrictions, we have taken this course online this year. We are in the midst of experimentation as we attempt to protect as many elements of the SIM experience as we are able.

Every Semester SIM offers a variety of Open Electives that are open to any MassArt student from any department. See below for the current offerings.


SP21 Electives Open to All (in order of day)

MPSM-311 Electronic Project For Artists 2 – Programming
MON 1:30-6:30 pm   D. Moser (remote)
This course introduces students to computer interfaces for connecting interactive sculpture, performance and installation with software. Course content includes micro-controllers, electrical sensors, custom-made circuits and programming. No previous programming experience is necessary. Pre-req MPSM337

MPSM-320 Projects in Sound
MON 1:30 – 6:30 pm   E. Buckholtz  (remote)
This course is an opportunity for students to explore collaborative art-making practice while working closely with an Artist-in-Residence whose practice exemplifies an interdisciplinary approach with a specific focus on body movement and choreography.  The visiting artist will direct three distinct ensemble artworks that will be professionally presented and documented. Each ensemble section class meetings will be studio practice workshops that will directly result in final artworks.

MPSM-216 Performance Art Fundamentals
TUES 8:00 am -1:00 pm  S. Schaefer (remote)
In this class, students develop and deepen ways performance art fits into their practice. Through in-class exercises, student-led studio time, and personal research students investigate audience – performer relationships, site-specificity, working with extended duration, body awareness, risk management, personae work, delegated performance approaches, and documentation strategies. Approaching performance art through a visual arts lens, we investigate the history and contemporary climate around the medium’s inclusion and/or exclusion from institutional art contexts, public space, and artist-run initiatives. This semester, we will focus on making performance for camera.

MPSM-405 Publications: Print & Digital
TUE 8:00 am-1:00 pm  J. Obando (remote)
The rise of digital publishing, online media platforms, and mobile devices has radically altered the way we look at information, art and culture, while inspiring new uses and interpretations of print media. Artists and cultural producers everywhere are actively experimenting with alternative print and publishing practices that evoke analogue memories, critically document the present, or reformulate the future of the medium. These contemporary practices examine media sustainability, propose mediated participation and configure new social spaces for the dissemination and interchange of ideas. In this context we will initiate our studies. This class proposes a collaborative studio environment in which we will investigate various printmaking techniques, examine the history of the medium, observe and critique its current state, and experiment with the different forms that compose the expanded field of contemporary print. Through studio and post-studio projects students are asked to propose and discover alternative approaches to printmaking, cultural production and social engagement, while discussing issues of authorship, piracy, reproduction, dissemination, interchange, and participation.

MPSM-409 Mining Meaning (Contemporary Methods of Inquiry)
TUE 1:30-6:30 pm   E. Buckholtz (remote)
This advanced class focuses on the development of artistic practice and individualized research through multiple lenses. During the course, students are expected to create project based works through multi-faceted approaches to research. The course examines Practice-based Research which is a form of research that aims to advance knowledge partly by means of practice. Discussion, in-depth reading and written analysis regarding contemporary issues in art are a fundamental component of the course.

MPSM-410 Immersive Experience Design – Virtual Worlds
TUE 1:30-6:30 pm   E. Freeman (remote)
This course cultivates students’ ability to create immersive multi-sensory experiences through the lens of play, story-telling and world building. It explores the potential power innate in each of our five senses and provides a framework upon which immersive artistic environments can be envisioned. The course presents examples of contemporary and historical immersive experience design as well as introduces interactivity, virtual and augmented reality technologies. Students are invited to do their own research, design and modeling of original immersive experience designs. The course prioritizes an experimental approach to the discipline and emphasizes the connections between the real and the virtual.

MPSM-211 Interrelated Media Practice
WED 8:00 am-1:00 pm  J. Obando (remote)
This is an introductory critique studio course where students produce and present interrelated media artworks in progress and/or in final form in order to expand their artistic practice, interact with artists from other disciplines, and refine public speaking skills. Great option for non-SIM majors to explore interdisciplinary art practice.

MPSM-205 Stagecraft and Technical Production
WED 3:00 – 8:00pm M. Azanow (hybrid)
This course aims to demystify basic lighting, rigging, sound and staging practices. Technical workshops will be conducted during class time where students work in teams to complete assignments. Demos and lectures also include site planning, power distribution, and safety in the workspace.

MPSM-207 Beat Research
WED 3:00-8:00 pm  A. Flackett (remote)
This is a studio course in which students will produce work that is influenced by the cultures of hip-hop and electronic music. Students will learn the techniques of sampling, sequencing, and drum programming using Ableton Live and other music-making software. Most assignments will involve the creation of music, but we will also go over the production of video and live performance.

MPSM-336 Event Planning and Production
THUR 9:00 am-1:00 pm  N. Sturiale, with L. Flynn (remote)
This is the spring segment of a year-long course designed for those that are actively involved in organizing and producing ambitious events and exhibitions throughout the year. Open to any student that is actively producing on or off campus events. Required for Eventworks producers and Godine Family Gallery Managers. Registration is by permission of instructor. 


FA20 Electives Open to All

MPSM402 Art Life and $
MON 9:00am-1:00pm S. Schaefer
This course is targeted towards soon-to-graduate art students who are thinking about the practicalities of continuing life as in independent artist after art school. The course attempts to demystify tax responsibilities, non-profit organization opportunities, and grant-writing, and mental wellbeing after college. Lots of great guests! 

MPSM337 Electronic Projects for Artists
MON 1:30 – 6:30 pm D. Moser
The purpose of this studio course is to provide skills and information that will be useful for artists who use electronic devices in their artworks.

MPSM342 Methods and Design in Art Exhibitions and Installation
MON 3 – 8 pm TBD
In this course, students will be guided through the design/build fundamentals of installing an art exhibit, preparing artwork for installation and the construction methods used in producing exhibitions. 

MPSM273 Intro to Sound Studio
TUES 1:30 – 6:30pm E. Freeman
Students are instructed in the principles of electroacoustic and digital sound processing, including audio recording, editing, mixing, and signal processing techniques. Students are expected to create original sound works and have access to SIM Sound Studio outside of class time.

MPSM221 Interdisciplinary Video
TUES 3 – 8 pm A. Flackett
This is a studio course in which students learn the basics of video production – from shooting to editing to the use of effects and finally publishing/screening final works. The class explores the inclusion of video in installations, live performance, and other experimental applications. The contemporary practice of video production is presented within the historical context of the moving image from silent films up to the modern Youtube era. Additionally, introductory video mapping technologies and video sound techniques are presented. The course combines lectures, demonstrations, workshops, visiting artists, and both collaborative and individual assignments.

MPSM211 Interrelated Media Practice
WED 8 am – 1 pm J. Obando
This is an introductory critique studio course where students produce and present interrelated media artworks in progress and/or in final form in order to expand their artistic practice, interact with artists from other disciplines, and refine public speaking skills. Great option for non-SIM majors to explore interdisciplinary art practice.

MPSM411 Experience, Observation and Data in Artistic Practice
WED 8 – 1 pm N. Sturiale
This course invites students to engage in practicing methods of data collection along with close observation of their experience of natural phenomena as the foundation for artistic practice. Students are tasked with identifying a topic and recording regular and consistent observations via text, spreadsheets, photos, journaling, video, performative, social exchange, or otherwise. The following subjects are also introduced: data literacy, data science and data ethics; biofeedback; pattern recognition; close analysis; self-discipline; mindfulness practice; graphic recording; and patience.

MPSM205  Stagecraft and Technical Production
WED 3 – 8 pm M. Azanow
This course aims to demystify basic lighting, rigging, sound and staging practices. Technical workshops will be conducted during class time where students work in teams to complete assignments. Demos and lectures also include site planning, power distribution, and safety in the workspace.

MPSM272  Sound Performance
WED 3 – 8 pm E. Buckholtz
Students will learn elements of sound performance, technical considerations including vocal techniques, content development and presentational context. Students present live sound pieces on a weekly basis.

MPSM317 Event Planning and Production
THUR 9 am-1 pm N. Sturiale, with L. Flynn
This is the fall segment of a year-long course designed for those that are actively involved in organizing and producing ambitious events and exhibitions throughout the year. Open to any student that is actively producing on or off campus events. Required for Eventworks producers and Godine Family Gallery Managers. 


For full course descriptions, see davinci.massart.edu
Questions?  email nita.sturiale@massart.edu

Studio for Interrelated Media 2020-2021