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Ena Kantardžić (they/them), a refugee who came to America as a child to escape the height of the Bosnian War, showcases "Can You Hear Me Calling" in which they have created a disco ball from a childhood chair reflecting their formative experience being raised in Boston's gay nightlife subculture. The piece is on view at the Distillery Gallery from March 6-April 1.

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#tbt SIM Sandwich, 2015
By @baberaham_liincoln + @yogurt__boy

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Anna Reidister’s recent work focuses on the development of a speculative fiction consisting of absurd and critical crossovers between Christianity, Neoliberalism and Pop Culture. Here we find post-digital sculptures, print objects (flags, banners and signs) and a satirical publication. Through these exercises, Anna aims at articulating a narrative that visibilizes the phantasmagoric aspects of neoliberalism in connection to religion, spirituality and omnipresence. Check Anna’s music at @ratslappy

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“The intention of my work is to challenge stereotypes and ideals of femininity that stem from a colonial perspective whilst flaunting brown queerness in its unique, understated beauty. As an interdisciplinary artist I work in photo, video and hand-made illustrations with the intention of incorporating performance into my video work. In the past few months, my work has been desaturated and minimised to black and white. The drawings I create are intuitive yet systematic with a focus on repetition and bold, clashing patterns.” @a.nukriti is starting #sim2020 bold and strong.

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In a place between fine craft and community-oriented design lies @gaby.schaab recent work. The fragility of ceramics and the strenght of community intersected with sharp humor and commentary is at the core of these series. #firstthursday

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Is this the first #blamesim2020

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Home is where the light is. #SIM2020

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#simbigshow2019 was ❤️ in the air. More pics and video soon.

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DECEMBER 5th, 2019. OK, THIS IS BIG. #simbig #simbigshow